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Seurat, Georges Pierre 1859-91
French artist
He was born in Paris and studied at the École des Beaux-Arts. He was an early exponent of Neo-Impressionism, and developed the technique known as Pointillism, in which the whole picture is composed of tiny rectangles of pure colour which merge together when viewed from a distance. The technique was founded on the colour theories of Eugène Delacroix and the 'chroma' theory of chemist Michel Eugène Chevreul, and the compositions were constructed architecturally according to scientific principles. He completed only seven canvases in this immensely demanding discipline, including Une Baignade, Asnières (1883-84, Tate Gallery, London), Un Dimanche d'été à la Grande-Jatte (1884-86, 'Sunday Afternoon on the Island of La Grande Jatte', Chicago), Les Poseuses (1887-88) and Le Cirque (1891). His colour theories influenced Paul Signac, Camille Pissarro, Degas and Renoir.
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Consult Chambers 21st Century Dictionary, The Chambers Thesaurus (1996) or Chambers Biographical Dictionary (1997 edition with amendments). Enter your search and choose your title from the drop-down menu.
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